We always dress in white. Don’t ask me why, because i don’t understand it: if you ask me, it’s the worst colour - and some days, when i feel tired, i could swear i think it’s no colour at all; or worse, i could argue that during those times it is all the most unpleasant colours taking turns to jest one’s sense of connection with the world, twisting and turning everything that had a life before until it turns a sickly shade of distilled nothingness. I don’t need to waste much words on it, because it is clear: everything that is very ugly is always pretty much white. White are the bones of the dead: white their faces, white their mourning robes ( they’re black, but they are actually white: we just don’t see them long enough to watch them turn ) white is winter; white the clouds spotting the big beautiful blue skin of the sky; white are the fangs of the wolf, and white is the fleece of the lamb, meek and always ready to be eaten. White is marble, slowly crumbling down to dust; white is the floor, requiring constant sweeping; white the milk of the cow, candid juice of slave for slavers; and white are my robes, my ever-same robes, of which every drape is an insult to my body and to which every inch of my body is an insult. From our vile, silent, and obstinate fight none could ever emerge victorious, if not those who made us face each other and declared the war in the first place. Who are they, you ask? Let me introduce you to them: there, in the corner of the room, is the primary enforcer of the Law of White. Before you ask, yes, she is a woman. I know you might struggle to realize it now but if you watch her closely you will see, in her eyes, the faint memory of what it means to be able to create life. She doesn’t recall this memory, not at all; and i stopped hating her for it, because with time came the realization that my brutish gaoler is nothing but a wretched creature, and as such i shall pity her. She always was like that: with a handkerchief tightly secured around her uncomely head of greasy, thin, brass-coloured hair; with a tart fold of the lips, which made them barely visible and always readily unsheathed a gnawy line of small teeth attached to a tall, protruding ridge of gingiva; with a shapeless body that looked like a pile of blankets magically tip-toeing around the house with the grace and thrust of an ox; with small, duckish feet; but her eyes were beautiful and almost green: and that waft of unhideable beauty seemed to fluster her so much that she kept them always glued to the floor, almost as in denial of their existence; as if she didn’t use them they would be worthless; and she was eerily - tragically, i’d say - right. Her name was Bruna; and who knows if she believed she had been tainted from birth by such a humble name, which brought with it intrinsic memories of warm chestnuts, and waves of dark and voluptuous hair, and wet, fertile earth; hence why she kept to her white robes as if she was clenching onto them like those lost at sea do with their makeshift rafts; and it always seemed to me that it was her body hanging onto the cloth and not the other way round, for how bizarre this might sound; and maybe also because of her name she felt like there was redemption in losing one’s connotation of colour, and in those clothes she yearned the abstract erasure her soul - or whatever she might have buried under her heavy bosom - was longing for. As to why she was longing for this, one can only fantasticate; but there was a way she pronounced my name instead « Immacolata! » that had a slithering concupiscence to it that was unmistakable, as if the very idea to be blessed from birth with the hallmarks of spotlessness was so irresistible that it gave her a brief shiver of pleasure every time her mind encountered such a celestial proposition, if only for the brief time the syllables existed in her mouth and did not encounter their embodiment in reality - that is to say me. Because you can be sure of this if nothing else, dear reader: Bruna hated me; and she did so with such a fiery passion that one would think her flesh derived from my bereavement the carnal pleasure she so steadily denied herself. But when she said my name - in that brief, fleeting shimmer of time - one could also sense her lungs, her throat and her bulbous tongue all participate in the pleasure of stealing the small scales of irreprehensibility that comes with it, like the thieves of fables plundering the treasure of a sleeping dragon. She was just a stupid fool, but that made her nonetheless dangerous: because she was mandated with my welfare, she could also very well deny it. and deny it she did, for many many years, until one fateful day of early summer; she was upstairs, talking to whom the Law of White was conceived for and by whose account it was to be enforced strictly: my father, of course. He was, like most men, a coward: and as such, he mostly relied on traps, bars, bricks and books and pedantic laws to shelter him from reality, because they have all been written by people like him. Real men wouldn’t trade the dignity of their right to live and die meaningfully for a bunch of coins, a herd of pigs, a slanted roof; not even if the coins were of gold, the pigs very fat, and the roof high and solid. I mean, that’s what i supposed real men were like, because in my eighteen years of life i could not speak to any of them save my father; and as we’ve seen, he was as much a man as Bruna was a woman; that is to say, little; and all of that little, questionable. And yet, even with all their prepotence and preparation, with the support of the institutions they cited and quoted the word of God, the one who they said invented the Law of White and all the other Laws; how convenient to blame it all on him, so they could pass their obtuseness for zeal, their sloth for respect, their weakness for virtue! You are very much right in smiling, dear reader; and i’d do too, if i wasn’t too caught up in a whirlwind of disgust at the idea that, being today the second of May after one thousand and five hundred thirty two years since the birth of our Lord and Saviour, the discourse on his quite inoffensive bunch of parables has been hitherto reduced to talking about dresses; and i’m no theologian, or learned doctor of the scriptures, but i’m pretty sure that wasn’t the point he was hammering on and on, down to the last nail. It’s all a bit sad, isn’t it? To make matters worse, those talking are not - it seems to me - very fond of dresses at all; by way of their speeches one should be inclined to think they are very fond of nothing at all, save the uniforming blandness that squeezes them all together in neatly bundled lictorian fasces. And yet, they talk profusely: and with all their talking and debating and very devoutly misunderstanding everything that is painfully clear, they came to the conclusion that women are valuable, if not precious; and as such, they have the right and every reason to dispose of them the way that God ( to be referred to as not the real one, poor thing, but the entity that represents the acronym “Gullible Old Doctrinaires” ) prescribed. What “that way” is can be better described, as the learned would certainly say, apophatically; that is to say, we’re quite sure what God doesn’t want women to do, and, for how peculiar and strange that may sound, we are also unshakably sure that he, in his inscrutable omnipotence, deemed them so extraordinarily dangerous for themselves that he must have thought to give them free will just to make them grateful enough to the men in charge of preserving them from it. Honestly, dear reader? I’m not gonna lie to you, at this point of the story, i should tell you i think they’re right. Of course, i cannot admit that candidly, or openly; that would really make me sound silly, wouldn’t it? But to you i can open myself up. I know what you’re thinking: “Immacolata, you make no sense! Didn’t you just spend the last five minutes ranting and arguing against this very same notion?” I did, dearest, i really did, you’re not fooling yourself and i’m not trying to fool you either; and for what it’s worth, i did really think all of those things of my father and of the ones like him; but i had those ideas before that fateful day of early summer, the day i spoke to a man for the almost-first time; and after hearing him speak, and after recounting the words he said to me, i cannot draw any other conclusion than the Gullible Old Doctrinaires were bloody right; and that deep down in my heart i still wish to be preserved from the flames of my own will like the precious asset i am supposed to be. Gosh - to be pure! Spotless! how extraordinarily divine it must be to be free of droning on, devoid of anything fleshy and therefore hungry; it is so stupendous that even faking it for the entirety of a lifetime seems now an unspeakable blessing rather than a torturous privation; how clean can white look! I know what you want, dear reader, we’re getting there: what did this man say to you to make you abjure your beliefs in such a spectacular fashion? Well, not much and everything, that’s what i thought. Let me explain it to you while Bruna and my father are still upstairs, a felicitous circumstance we need to make the most of. Why, you ask? Well, dear reader, because i am about to leave this place and you are with me, of course; but they would most definitely not let me do it, given that i am very much forbidden to walk out the house without supervision, especially in the evening; but we’re doing it anyway. But i wouldn’t ask you to take all these risks with me if you weren’t fully convinced to come with me out of your own volition; and because i don’t want your sympathy, but your understanding, i must now recount to you the exact words that were spoken by that - so far - mysterious man i mentioned before; and, why not, give you a little bit of context as to where and how i listened to them, because as i said he didn’t say much; and i like stories with a bit of plump to them. Well, i was sitting not far from where you are right now, that is to say, the window: my room is on the third floor of our stately home, which is perched like a protruding bulge on the side of a fat turret; and from there, in the evening, one can see all of Florence’s roofs changing their colour at dusk, and wearing their nightly robes; and you can hear the voices, the voices of men, singing and bellowing drunkenly in the distance, coming from everywhere and nowhere in particular like the singing of cicadas. I thought i knew everything of this scene, having painstakingly learned every detail during the course of many a boring year; and that every nook and cranny of the silhouette of the buildings, or the embroidering of stars, or the flight of the distant wandering herons was not just familiar to me, but it came to have a predictability that was akin to ownership; but after that man spoke to me i started noticing a detail previously absent: something minuscule and yet exhilarating, imperceptible yet devastating. I started smelling a strange scent. The first time i saw him, he was walking by the street with a soggy gait, as if his whole body was timid: but he held his chin high, and he was singing. His clothes were neither rich nor bad; his hair thinning and frothy, leaping and drooling away from his forehead at every gust of wind, like a cockerel’s wattles; and even from here i could see the piercing light of his blue eyes, full of joys and sorrows alike, soar above the balconies and the banners to reach me at such an improbable angle that it must have been ordained that on that evening i sat exactly at that angle of the window and that he looked up at exactly the right moment to catch a glimpse of me. He stopped his steps at once; and at once he bowed so farcically that i couldn’t resist a chuckle; and when Bruna came over me, inquisitive about the causes of my inappropriate hilarity, he already switched to a vastly more gallant pose of nonchalant austerity that he could have been one of those pompous statues the men keep in such high regard in the main square. Bruna must have discounted my reaction as the whimsical chain of thoughts of a slow, capricious girl, and as such not to be speculated with, but rather adjusted with a swift cuff on my head. Oh, Bruna, if only she could realize what she did with that! You see, dear reader, even though it wasn’t at all her objective, by intervening as bovinely as customary for her, he let me see for the first time his irresistible powers of shapeshifter, his acumen for improvisation, trained like the ear of the best violinists; and because her cuffs were as heavy as they were sanctimonious, she exposed my ruffled, blushing, teary face to him. I think one or two of my braids were sent flying over to the other side of the head, looping around my ear; and all the wonky weight of my head was so suddenly disturbed that my sparrow-like little neck could not withstand it properly, and ended up looking at him while tilting on the side, like that stupid tower they built a couple of towns over. But reader...he laughed! He laughed so much and so heartily when she disappeared in the dark corner of my window, like the secondary character that she is; and i laughed again - the punishment had been already dispensed - with him; and that laughter became our first secret. It was then i could smell it: it was sweet, and sparkling, and fresh - but it was also rancid; and it was the rancidness that rounded it up more beautifully than anything else could have. It did to the smell what tears do to the voice of bards: they break them to truth. Reader, we really have to go now: i can feel the footsteps of my father’s and Bruna’s tracing down the stairs: it’s now or never. Don’t worry about what’s going to happen to me afterwards: there is no afterwards. That’s what he said as well, you see? Not that evening, but one of the evenings afterwards. It doesn’t make sense to me to separate them though, because i didn’t live those days as separate entities, each contained in their little neat box; the hours blended with each other to the point that only one hour existed, that is to say the hour he came talking to me; and every scent or odour of the world collapsed on each other so much that i could smell only one: and so, because i did discover it because of him firstly, i thought it was only fair my first question to him would be about this very scent. He said it was the smell of white and, trust me, i was taken aback! White! Smelling like that! But i knew he was no fool: he only smiled with me, and never at me; and i could sense he was telling the truth, because he always looked happy when he did. What do you mean the smell of white? I asked, aghast: and he laughed his brassy laughter; white was the worst colour, the odourless colour, how could it smell so good? And with his fingers he pointed into the distance, far away, at the intersection of roads that spelled the line of the horizon for me; and he told me everything about the garden. Now, i had been to that garden on many a leisurely stroll throughout my life: and it was, indeed, a beautiful garden. But it wasn’t the one he was describing: the one i knew smelled only of roses, and lavender, and in winter it carried the desolatingly lonely colour of wintersweet. And why do you think - he asked - that they never allowed you to see it after the sun has set its course, my darling? I didn’t know the answer to that, or so i thought. But then i looked at him a bit better, and saw he was just a man; and looked at myself, and thought i was just a woman. My thighs ached; my chest tightened and yet my spine was pushing it as outwards as i possibly could; and i felt a warmth that had nothing to do with the summer’s heat. The wind was shaping the cloth of his cloak against his shoulders, framing them in a sharp angular shape; he looked big, and strong, and i thought his hands - his humble hands of carpenter - were so intricately beautiful that no church could withstand the comparison to their architecture. Very well! I said, resolute, fixating my gaze into his - i shall find out why they forbade me to walk those garden in the evenings. You and all the other good family girls - he said - none of you is allowed to enter those gates after dusk: they only afford you the White they’ve been able to dilute, you see, but the White they give you is no White at all: it looked like it, but it’s nothing like it; one could say the white they give you is more similar to black than to the real White; and one wouldn’t be wrong at all. At last, i knew it, but by that moment it was already old news. And what happens after you see the real White? Ah, my beloved: there’s no afterwards. You see it and that’s it, it’s within you forever - and nothing, nothing ever could take it out you, not even yourself. There is no forgetting, unfortunately: because the White will turn you blind, so blind you’ll see right through things. What, dear reader? You think all of these are shambles, the cheap trapdoor-words of a lover? Of course you’re right. That’s exactly what they are, my faithful friend. By the way, thank you for closing the door when we got out: you might have bought me a couple more minutes of peace. Hasten up your walk, will you? It’s not far, but we got to hurry up. Can you imagine if he’s not there? No, it’s impossible: he promised. We’re getting close now, and the smell of the White is so strong and piercing it’s almost making me weak on my legs. Another couple of steps, the final twist of the road, the squeaking of rusty hinges: we’re there. The Garden. As i walk through its gravelly paths, my feet seem to sink at every step, as if the world itself was asking me to slow down, for heaven’s sake; i can’t, i’m sorry. Look! There are the familiar hedges, the ones shaped like horses and dolphins; let’s roam with them a bit, up until the very center of the enclosure, where the fountain is happily bubbling; wait, is it from the water that this impossible scent is rising? No. It’s from the flowerbed around it. I saw those long, elegant stems before; i know the ladylike quality of those leaves, small and orderly; and i know those waxy petals, arched around a modest bell, like the panels of a modest skirt: they are so, so white. On how many days, and for how long, have i looked at them wearing my very same humble regalia! But they did not smell, or better: they smelled of white, of nothing. Yet now here they are, the very same and the very opposite: just like me, it feels they escaped someone watching over them too closely and, ultimately, too vainly. There he is, standing in the middle of it: i don’t know if he wanted to be funny or what, but he’s dressed in white too, so even we are the very same and the very opposite. The flowers seem to bow down slightly when we walk over to each other, welcoming us in their circle. When i hold his hands my feet become roots; and when i grasp his chest, we twist on each other like vines. Our bodies are really just one body: i know they looked separated but they’re separated the same way a crown is separated into pistils. We are a flower, a white flower; and now you know the secret as to why White smells only in the dark. I see his face and an infinite litany of faces, all the men of the world, to whom all i’ll give my body and from whom all i will take a body; i see miles and miles of skin touching other skin, forever, a billion petal-shaped bodies; i hear all the love songs and read all the love poems; all of those little words, one after the other, falter from their soldierly lines and disintegrate against the pages: just like my words to you and your words to me, dear reader, they softly evaporate into invisible droplets, until there’s nothing left but air making love to air: how delicious is the smell of white! If you ask me, it’s the best of colours.
In Renaissance times, girls were forbidden to walk through gardens at night, lest the intoxicating smell of blooming tuberose would induce irresistible, inappropriate appetites...

IN SHORT
- You buy from Alessio Quintarelli, in Barcelona.
- Prices are in euros, VAT included. Delivery costs are shown before you pay.
- Our objects of desire are made to order, in the time shown before you pay: see made to order.
- You have 14 days after delivery to withdraw, and a 3-year legal guarantee.
- Spanish law applies, and none of your rights as an EU consumer are taken away.
1. Who we are
amniotic is run by Alessio Quintarelli, NIE [NIE of Alessio Quintarelli], Carrer del Baluard 65, 08003 Barcelona. You can reach us at info@amniotic.eu. All our details are in the legal notice.
2. These terms
These terms apply to every purchase made on this website by consumers. The version that applies to your order is the one shown when you placed it; we send it to you, with your order, by email. You can read them in English; Spanish and Catalan versions are available.
We sell to consumers in the 27 countries of the European Union, except territories outside the EU VAT area, such as the Canary Islands, Ceuta and Melilla. We don't sell to businesses for resale.
3. The objects
We describe every object as faithfully as we can. Its images are AI renders of an object still in the making: the description and specifications on its page are what you buy. Objects made in small workshops, from natural materials, vary slightly from one to the next: small differences in knit, colour or finish are part of them, not defects.
4. Prices and payment
Prices are in euros and include VAT. Delivery costs are added at checkout and shown before you pay: €4.99 for orders under €250, free from €250 (see delivery & returns). Some large objects travel by specialist carrier. Their delivery cost is shown on their page and at checkout, before you pay, and replaces the standard fee.
You pay by card or Apple Pay. Payments are processed by Stripe: we never see or store your full card number.
5. How you buy
- You put one or more objects in your cart.
- At checkout you give your name, contact details and delivery address, and your card details.
- Before paying you see a summary: what you are buying, how long it takes to make and deliver, and the total price with delivery. You can go back and correct anything at every step.
- You accept the made-to-order conditions and pay.
- We confirm your order by email. That confirmation is our contract, and it includes these terms.
6. Made to order
Our objects of desire are made to order: when you buy one, the workshop makes it for you, within 8 weeks of our order confirmation. Until delivery you can cancel at any time and get everything back; if we are more than 30 days late, you choose between a full refund and a new date. All of it is explained in the made-to-order conditions.
7. Delivery
We deliver within the European Union. Costs, times and what happens at the door are in delivery & returns. The object is yours, and so is its risk, once it has been delivered to you or to someone you have named.
8. Changing your mind
You can withdraw from your purchase without giving a reason, at any time before delivery and up to 14 days after it. How it works, and the few exceptions, are in withdrawal.
9. Legal guarantee
Every object is covered by the legal guarantee of conformity for 3 years from delivery. If something isn't as it should be, tell us: we'll repair or replace it, and if that isn't possible or reasonable, we'll lower the price or refund you. The guarantee costs you nothing, including shipping.
10. Complaints
Write to info@amniotic.eu; we reply within 15 days at the latest, and usually much sooner. Official complaint forms (fulls oficials de queixa, reclamació i denúncia) are available on request. You can also turn to the consumer authorities, such as the Agència Catalana del Consum, or the consumer arbitration boards (Juntes Arbitrals de Consum). If we can't solve a complaint together, we'll tell you which out-of-court dispute body can help and whether we take part.
11. Law and courts
These terms are governed by Spanish law. If you are a consumer, you can bring a claim before the courts of the place where you live, and you keep every protection that the law of your country of residence gives you and that cannot be set aside by contract.
12. Changes
We may update these terms. Changes never apply to orders already placed.
IN SHORT
- Our objects of desire are made to order: when you buy one, the workshop makes it for you.
- Every object is delivered within 8 weeks of our order confirmation.
- You can cancel at any time before delivery, and get everything back.
- If we are more than 30 days late, you choose: a full refund or a new date.
- Once the object reaches you, you still have 14 days to change your mind.
What made to order means
Our objects of desire are made to order, one at a time. We don't keep them in stock: when you order one, the workshop makes it. Each object's images are AI renders of the piece: the description and specifications on its page are what you buy.
You pay the price shown on the object's page, VAT included. That page may also show, for information, the price the object will have in our shop from 2027.
How long it takes
Every object of desire reaches you within 8 weeks of the day we confirm your order. A few objects take longer, and say so on their page before you pay (for example, delivered within 20 weeks). For those, that time replaces the 8 weeks everywhere in these conditions, including the 30 days. We'll write to you while it is being made, and confirm the delivery date by email.
If we haven't delivered within 30 days after those 8 weeks, or after a later date you have agreed to, you can cancel and be refunded in full, or agree a new date with us: your choice.
If, exceptionally, we cannot have your object made as described, we tell you within 10 days of your order and refund everything, delivery included, within 14 days.
Paying
You pay when you place the order, by card or Apple Pay, through our payment provider Stripe. Your contract with us starts when we confirm your order by email. That email has your order number, a summary of what you bought, the object's technical sheet, a copy of these conditions and your invoice.
Cancelling
You can cancel at any time before the object is delivered, for any reason, and you get back everything you paid, delivery included. The quickest way is the withdraw from contract here function; you can also simply write to us at info@amniotic.eu. We refund within 14 days, to the same card or Apple Pay you used, at no cost to you.
After delivery you still have 14 days to withdraw: see withdrawal.
If you ordered a gift, the 14 days start when the recipient receives it. The recipient can return it on your behalf; the refund goes to you.
Several objects in one order
Each object is made on its own and may arrive separately, always within the 8 weeks. Delivery is charged once per order. You can cancel one object and keep the others.
Questions
Write to info@amniotic.eu. A real person answers.
IN SHORT
- We deliver to the 27 countries of the European Union, except territories outside the EU VAT area, such as the Canary Islands, Ceuta and Melilla.
- €4.99 per order under €250. Free from €250.
- Objects are made to order and reach you within 8 weeks; we confirm the date by email.
- To return something, tell us within 14 days of delivery and send it back within 14 days of telling us.
- Return shipping is yours to pay, unless the object is faulty or not what you ordered.
Where we deliver
To the 27 countries of the European Union, except territories outside the EU VAT area, such as the Canary Islands, Ceuta and Melilla. For now we don't deliver outside the EU.
What it costs
€4.99 per order for orders under €250, wherever you are in the European Union. Orders from €250 travel free. The cost is shown at checkout, before you pay, and is charged once per order even if objects arrive separately.
Some large objects travel by specialist carrier. Their delivery cost is shown on their page and at checkout, before you pay, and replaces the standard fee.
When it arrives
Objects made to order reach you within 8 weeks of the day we confirm your order; we confirm the date by email as soon as it is set. Once an object ships, you get a tracking link.
If an object can't be delivered (wrong address, nobody at home, a parcel left at the post office and never collected), we'll get in touch to send it again. A second shipment caused by an address error may cost the delivery fee again.
If it arrives damaged
Take a photo of the parcel and the object and write to us as soon as you can: we'll replace it or refund you, at our expense. The legal guarantee covers it for 3 years in any case.
Returns
You can return any object within 14 days of receiving it, without giving a reason:
- Tell us, with the withdraw from contract here function or by email at info@amniotic.eu.
- Send the object back to us within 14 days of telling us, to the address we give you. Please pack it well; the original packaging helps but isn't required.
- We refund everything you paid, including the original standard delivery, within 14 days of hearing from you. We may wait until the object is back with us, or you've shown us it is on its way.
Return shipping is yours to pay, unless the object is faulty or not what you ordered.
Objects should come back as you received them: you may look at them and try them on as you would in a shop, but if an object has been worn or used beyond that, we may deduct the loss of value from the refund.
What can't be returned
Sealed products that touch the body intimately, such as intimate-care products, cannot be returned once their seal has been opened, for health and hygiene reasons. Unopened, they can.
IN SHORT
- You can withdraw from a purchase without giving any reason: at any time before delivery, and for 14 days after it.
- Write to us, or use the model form. Once orders open, you can also do it with the function on this page.
- We refund everything you paid, including standard delivery, within 14 days.
- You send the object back within 14 days. Return shipping is yours to pay.
Your right of withdrawal
You have the right to withdraw from this contract within 14 days without giving any reason. The withdrawal period expires 14 days from the day on which you, or someone you name other than the carrier, take physical possession of the goods. If you ordered several objects that are delivered separately, the period runs from the day you receive the last one. You can also withdraw at any time before delivery.
To exercise the right of withdrawal, you must inform us (Alessio Quintarelli, Carrer del Baluard 65, 08003 Barcelona, info@amniotic.eu) of your decision with a clear statement: by email or by post (once orders open, also with the function on this page). You may use the model withdrawal form further down, but it is not obligatory. To meet the deadline, it is enough that you send your statement before the period has expired.
Effects of withdrawal
If you withdraw, we reimburse all payments received from you, including the costs of delivery (except any extra cost from choosing a type of delivery other than the least expensive standard delivery we offer), without undue delay and in any event not later than 14 days from the day on which we are informed of your decision. We use the same means of payment as you used for the original transaction, unless you have expressly agreed otherwise; in any event, you will not incur any fees as a result. We may withhold reimbursement until we have received the goods back or you have supplied evidence of having sent them back, whichever is the earliest.
You shall send back the goods or hand them over to us without undue delay and in any event not later than 14 days from the day on which you communicate your withdrawal. The deadline is met if you send back the goods before the period of 14 days has expired. You will have to bear the direct cost of returning the goods. You are only liable for any diminished value of the goods resulting from handling other than what is necessary to establish their nature, characteristics and functioning.
Exceptions
The right of withdrawal does not apply to sealed goods which are not suitable for return due to health protection or hygiene reasons, once they have been unsealed after delivery.
Withdraw from contract here
Fill in what you can: your name, the email you used and your order number are enough. You'll then be asked to confirm, and we'll send an acknowledgement of receipt, with its date and time, to your email.
The withdrawal function opens with orders.
Model withdrawal form
Complete and return this form only if you wish to withdraw from the contract.
To Alessio Quintarelli, Carrer del Baluard 65, 08003 Barcelona, info@amniotic.eu:
I/We (*) hereby give notice that I/We (*) withdraw from my/our (*) contract of sale of the following goods (*):
Ordered on (*) / received on (*):
Name of consumer(s):
Address of consumer(s):
Signature of consumer(s) (only if this form is notified on paper):
Date:
(*) Delete as appropriate.
IN SHORT
- We only ask for what an order needs: your name, contact details, address and what you bought.
- No tracking, no advertising, and we never sell or rent your data.
- Payments go through Stripe: we never see your full card number.
- Your cart stays in your own browser until you pay.
- You can ask to see, correct or delete your data at any time.
Who is responsible
The controller of your personal data is Alessio Quintarelli, NIF [NIE of Alessio Quintarelli], Carrer del Baluard 65, 08003 Barcelona. For anything about your data, write to info@amniotic.eu with "privacy" in the subject.
What we collect, and why
To sell you an object and deliver it: your name, surname, phone, email, delivery address and country, what you ordered, and the payment confirmation (never your full card number). We need this to carry out the contract you make with us.
To keep you informed about your order: your email, to tell you how your object is being made, when it ships, and if anything changes. This is part of the same contract.
If someone orders a gift for you, we use your name and address only to deliver it.
To keep our accounts and meet tax law: invoices and order records, because Spanish law requires us to keep them.
To answer you: what you write to us when you ask a question, withdraw from a purchase or make a complaint.
We don't send newsletters or advertising unless you have asked to receive them, and you can stop them at any time.
Your cart
What you put in your cart is kept in your own browser's storage, on your device, and isn't sent to us until you pay. You can empty it at any time.
Who else sees it
Only the companies that help us do the job, each bound by contract to use your data only for that:
- Stripe (Stripe Payments Europe, Ltd.), to take payments and prevent fraud.
- Our hosting provider (Netlify), which serves this website.
- Our email provider, to send and receive messages.
- The carrier delivering your parcel: your name, address and phone.
- Our accountant or tax advisor, and public authorities when the law requires it.
If you order through a personal shopper, we tell them that you ordered and the amount, so we can pay their commission.
Some of these providers are based in the United States or may process data there. Where that happens, the transfer is protected by the EU–US Data Privacy Framework or by the European Commission's standard contractual clauses.
How long we keep it
Order and accounting records: 6 years, as Spanish commercial law requires. Messages about an order: until it is delivered or refunded, and then for as long as the legal guarantee lasts (3 years). Anything else: no longer than needed for the reason we collected it.
Your rights
You can ask to access, correct or delete your data, to limit or object to its use, and to receive it in a portable format. Write to info@amniotic.eu; we answer within a month. If you think we haven't treated your data properly, you can complain to the Spanish data protection authority, the Agencia Española de Protección de Datos (aepd.es).
Security
We keep as little as we can, for as short a time as we can, and use providers who protect it with industry-standard encryption.
Age
Our shop is for adults. Please don't place an order if you are under 18.
Changes
If this policy changes, the new version is published here with its date.
IN SHORT
- This website has no tracking or advertising cookies.
- Your cart is kept in your browser's storage, only on your device, because the shop needs it to work.
- When you pay, Stripe uses cookies to prevent fraud. These are necessary too.
- That's why there is no banner to click away.
What we use
Cookies, and similar technologies such as your browser's storage, are small pieces of information a website keeps on your device. The law allows the ones that are strictly necessary for a service you have asked for without asking your consent; every other kind needs your permission first.
We only use strictly necessary ones:
- amniotic.cart, in your browser's storage, set by us: it remembers what is in your cart. It stays until you empty the cart, pay, or clear your browser's data.
- __stripe_mid and __stripe_sid, cookies set by Stripe during payment: they help prevent card fraud. They last up to one year and thirty minutes respectively.
What we don't use
No analytics, no advertising, no social media trackers, no profiling. If we ever want to add any, we will ask you first, and nothing will be stored until you say yes.
Removing them
You can delete cookies and stored data at any time from your browser's settings. Your cart will then be empty, and payment may ask you to start again.
IN SHORT
- This website belongs to Alessio Quintarelli, in Barcelona.
- Write to us at info@amniotic.eu.
- Every image on this site is made with AI. None is a photograph.
- The stories, images and objects on it are ours or our collaborators': please don't reuse them without asking.
Who we are
In accordance with Spanish Law 34/2002 on information society services and electronic commerce (LSSI), the owner of this website is:
Alessio Quintarelli
NIE: [NIE of Alessio Quintarelli]
Address: Carrer del Baluard 65, 08003 Barcelona
Email: info@amniotic.eu
Our activity is the sale of objects, perfumes and publications, online and in our shop. We are not registered in the Mercantile Registry.
Using this website
You can browse and read this website freely. When you buy, the terms of sale apply.
Intellectual property
The stories, texts, images, illustrations, glyphs and design of this website, and the amniotic name and logo, belong to us or to the authors and collaborators who have licensed them to us. Typefaces belong to their designers: Pokemon Classic is by TheLouster115, shared under CC BY-SA 3.0, FreeCAM v2 by Michelle Lyons is in the public domain, Zelda DX is by Brian Kent (Ænigma Fonts), freeware, Dico is by Yannic Kötter, and Jacquard 12 is by the Soft Type Project Authors, shared under the SIL Open Font License 1.1. You may quote short extracts with attribution and a link; for anything else, please ask us first.
Images
The images on this site, of objects, places and people, are made with artificial intelligence. They are not photographs, and the people in them do not exist. Each object of desire is shown as a render before it is made. It is made to the description and specifications on its page: those, not the images, are what you buy. What an image shows and the description does not, is not included.
Liability
We take care to keep this website accurate and working, but we can't guarantee it will always be available or free of errors. Links to other websites are offered for convenience; we are not responsible for their content.
Law
This notice is governed by Spanish law.

| Composition | Cashmere. Feathers, on a removable band. Contains non-textile parts of animal origin. |
|---|---|
| The box | The hood folded at the collar, the crown free above tissue, the bisque flower in its pocket. Not a toy. Keep the flower out of reach of children. |
| The scent | The feathers are not scented. They take the scent of a small bisque flower in the box, scented with the tuberose of #002. Never on the skin or near a flame. |
| Care | The crown is sewn on a ribbed band that comes off, so the hood can be washed. Take off the band; the feathers never go in water. |
| Production and delivery | Delivered within 8 weeks of our order confirmation. |





PRODUCT SPECS
| Composition | Cashmere. Feathers, on a removable band. Contains non-textile parts of animal origin. |
|---|---|
| The box | The hood folded at the collar, the crown free above tissue, the bisque flower in its pocket. Not a toy. Keep the flower out of reach of children. |
| The scent | The feathers are not scented. They take the scent of a small bisque flower in the box, scented with the tuberose of #002. Never on the skin or near a flame. |
| Care | The crown is sewn on a ribbed band that comes off, so the hood can be washed. Take off the band; the feathers never go in water. |
| Production and delivery | Delivered within 8 weeks of our order confirmation. |

| Contents | Linen water, to pour. |
|---|---|
| Materials and finishes | Enamelled tin; biscuit flower stopper, packed apart. |
| Use | Pour a capful into the last rinse. |
| Production and delivery | Delivered within 8 weeks of our order confirmation. |





PRODUCT SPECS
| Contents | Linen water, to pour. |
|---|---|
| Materials and finishes | Enamelled tin; biscuit flower stopper, packed apart. |
| Use | Pour a capful into the last rinse. |
| Production and delivery | Delivered within 8 weeks of our order confirmation. |

| Contents | Sensual massage oil. |
|---|---|
| Production and delivery | Delivered within 8 weeks of our order confirmation. |





PRODUCT SPECS
| Contents | Sensual massage oil. |
|---|---|
| Production and delivery | Delivered within 8 weeks of our order confirmation. |










































Not a production drawing. Hand-formed: the outline is indicative, the measures are not.
| Measures and weight | Sculpture: ≈ 1,600 mm tall. Trunk ≈ 180 mm at the base to ≈ 40 mm at the top; the top is cut at a slant and split. Roots: three lobed roots, ≈ 350 × 365 mm on the floor, ≈ 200 mm tall. Crate: 1,800 × 420 × 420 mm outside, 384 × 384 mm inside; final measures are set on the finished sculpture. Weight, and weight of the full crate: to be confirmed. |
|---|---|
| Materials and finishes | Sculpture: hinoki, solid or glued from wide boards with the grain matched: to be confirmed before orders open. Finish: none; the hinoki is planed and left raw, so it keeps its scent. Crate: natural birch plywood, 18 mm, lightly oiled, no stain; six panels screwed with flat-head screws, opens and can be reused. Wordmark and name stencilled in black. Inside: two tuberose felt cradles, a tuberose cotton veil, and the wall strap. Origin of the wood: to be confirmed. |
| Made in | – |
| Edition | Numbered in order of making; the number is engraved under the roots. |
| Care | Indoors, away from direct sun, heat and damp. Dust with a dry cloth. A light sanding revives the scent: to be confirmed by the workshop. |
| Safety | Tall and narrow: it can tip over if pushed or climbed on. Stand it on a flat, level floor and fix it to the wall with the strap supplied. Keep children and pets from climbing on it. The cut top has sharp edges. Weight: to be confirmed. |
| Manufacturer | amniotic: name, address and email of the owner, to be confirmed. |
| Production and delivery | Made to order by an artist · delivered within 20 weeks of our order confirmation · one piece per order. |
| What may differ from the images | The grain and colour of the hinoki, its knots, and the exact shape of the roots, which are carved by hand. |
| What will not | The height, the wood, the three roots, the cut and split top, the crate, and the measured drawing above. |
| Risks | Large, seasoned hinoki is hard to find: if the sculpture has to be glued from boards, the page says so before orders open. A 1.8 m parcel costs more to ship and is easier to damage: the crate is there for this, and the cost is declared before you pay. |
| Terms | The made-to-order conditions apply: time to make and deliver, cancelling before delivery, 14 days after it (see Legal · Made to order and Legal · Withdrawal). |







PRODUCT SPECS

Not a production drawing. Hand-formed: the outline is indicative, the measures are not.
| Measures and weight | Sculpture: ≈ 1,600 mm tall. Trunk ≈ 180 mm at the base to ≈ 40 mm at the top; the top is cut at a slant and split. Roots: three lobed roots, ≈ 350 × 365 mm on the floor, ≈ 200 mm tall. Crate: 1,800 × 420 × 420 mm outside, 384 × 384 mm inside; final measures are set on the finished sculpture. Weight, and weight of the full crate: to be confirmed. |
|---|---|
| Materials and finishes | Sculpture: hinoki, solid or glued from wide boards with the grain matched: to be confirmed before orders open. Finish: none; the hinoki is planed and left raw, so it keeps its scent. Crate: natural birch plywood, 18 mm, lightly oiled, no stain; six panels screwed with flat-head screws, opens and can be reused. Wordmark and name stencilled in black. Inside: two tuberose felt cradles, a tuberose cotton veil, and the wall strap. Origin of the wood: to be confirmed. |
| Made in | – |
| Edition | Numbered in order of making; the number is engraved under the roots. |
| Care | Indoors, away from direct sun, heat and damp. Dust with a dry cloth. A light sanding revives the scent: to be confirmed by the workshop. |
| Safety | Tall and narrow: it can tip over if pushed or climbed on. Stand it on a flat, level floor and fix it to the wall with the strap supplied. Keep children and pets from climbing on it. The cut top has sharp edges. Weight: to be confirmed. |
| Manufacturer | amniotic: name, address and email of the owner, to be confirmed. |
| Production and delivery | Made to order by an artist · delivered within 20 weeks of our order confirmation · one piece per order. |
| What may differ from the images | The grain and colour of the hinoki, its knots, and the exact shape of the roots, which are carved by hand. |
| What will not | The height, the wood, the three roots, the cut and split top, the crate, and the measured drawing above. |
| Risks | Large, seasoned hinoki is hard to find: if the sculpture has to be glued from boards, the page says so before orders open. A 1.8 m parcel costs more to ship and is easier to damage: the crate is there for this, and the cost is declared before you pay. |
| Terms | The made-to-order conditions apply: time to make and deliver, cancelling before delivery, 14 days after it (see Legal · Made to order and Legal · Withdrawal). |


Not a production drawing.
| Measures and weight | Board: a 60° diamond of 11 × 11 hexagonal cells, 29 mm across the flats; ≈ 620 × 360 mm with the frame; ≈ 30 mm thick. Pieces: 42, 21 per flock; 7 mm thick, two faces of 3.5 mm. Case: ≈ 630 × 370 × 45 mm; two handles, ≈ 150 mm loop. Weight: to be confirmed. |
|---|---|
| Materials and finishes | Field: hinoki hexagons in veneer on a birch plywood core, laser-cut. Outer ring: thermally treated hinoki, darkened by heat, not dyed. Frame: cherry on two sides, ziricote on two (the side the story calls kurogaki), in veneer on a core. Pieces: solid cherry and ziricote, two faces glued; marks inlaid flush in the other flock's wood. Moon and four corner moons: mother-of-pearl. Finish: hard oil-wax, matt. Case: white nappa, quilted in a grid of hexagons; white zip with two sliders; vegetable-tanned leather handles in celadon; embroidered wordmark. Origin of the woods: to be confirmed. |
| Made in | – |
| Edition | Numbered in order of making; the number is inlaid under the board. |
| Care | Keep dry, away from direct sun and heat. Dust with a soft cloth. Renew the oil-wax: product and frequency to be confirmed. |
| Safety | Not a toy: a game object for adults (14+). Contains small parts: keep away from young children. Wood can dent. |
| Manufacturer | amniotic: name, address and email of the owner, to be confirmed. |
| Production and delivery | Delivered within 8 weeks of our order confirmation. |
| What may differ from the images | The grain and colour of each wood, which are natural; the tone of the heat-treated ring; the sheen of the mother-of-pearl; small folds in the nappa. |
| What will not | The shape, the measures, the materials, the number of pieces, the marks, the case, and the measured drawing above. |
| Risks | The veneers of ziricote and hinoki depend on the workshop's suppliers: a delay moves the delivery date, and you are told at once. |
| Terms | The made-to-order conditions apply: time to make and deliver, cancelling before delivery, 14 days after it (see Legal · Made to order and Legal · Withdrawal). |







PRODUCT SPECS

Not a production drawing.
| Measures and weight | Board: a 60° diamond of 11 × 11 hexagonal cells, 29 mm across the flats; ≈ 620 × 360 mm with the frame; ≈ 30 mm thick. Pieces: 42, 21 per flock; 7 mm thick, two faces of 3.5 mm. Case: ≈ 630 × 370 × 45 mm; two handles, ≈ 150 mm loop. Weight: to be confirmed. |
|---|---|
| Materials and finishes | Field: hinoki hexagons in veneer on a birch plywood core, laser-cut. Outer ring: thermally treated hinoki, darkened by heat, not dyed. Frame: cherry on two sides, ziricote on two (the side the story calls kurogaki), in veneer on a core. Pieces: solid cherry and ziricote, two faces glued; marks inlaid flush in the other flock's wood. Moon and four corner moons: mother-of-pearl. Finish: hard oil-wax, matt. Case: white nappa, quilted in a grid of hexagons; white zip with two sliders; vegetable-tanned leather handles in celadon; embroidered wordmark. Origin of the woods: to be confirmed. |
| Made in | – |
| Edition | Numbered in order of making; the number is inlaid under the board. |
| Care | Keep dry, away from direct sun and heat. Dust with a soft cloth. Renew the oil-wax: product and frequency to be confirmed. |
| Safety | Not a toy: a game object for adults (14+). Contains small parts: keep away from young children. Wood can dent. |
| Manufacturer | amniotic: name, address and email of the owner, to be confirmed. |
| Production and delivery | Delivered within 8 weeks of our order confirmation. |
| What may differ from the images | The grain and colour of each wood, which are natural; the tone of the heat-treated ring; the sheen of the mother-of-pearl; small folds in the nappa. |
| What will not | The shape, the measures, the materials, the number of pieces, the marks, the case, and the measured drawing above. |
| Risks | The veneers of ziricote and hinoki depend on the workshop's suppliers: a delay moves the delivery date, and you are told at once. |
| Terms | The made-to-order conditions apply: time to make and deliver, cancelling before delivery, 14 days after it (see Legal · Made to order and Legal · Withdrawal). |



